Just kidding, that's a great movie poster. we're not like that... here are some real items of note
NY Times
By NORIMITSU ONISHI
Published: February 6, 2010
GENERAL SANTOS, the Philippines — After a day
of barbering, Rodolfo Gregorio went to his
neighborhood karaoke bar still smelling of
talcum powder. Putting aside his glass of Red Horse
Extra Strong beer, he grasped a microphone with
a habitué’s self-assuredness and briefly stilled
the room with the Platters’ “My Prayer.”
Next, he belted out crowd-pleasers by Tom Jones and Engelbert Humperdinck. But Mr. Gregorio, 63,
a witness to countless fistfights and occasional
stabbings erupting from disputes over karaoke singing,
did not dare chooseone beloved classic: Frank Sinatra’s
version of “My Way.”
“I used to like ‘My Way,’ but after all the trouble,
I stopped singing it,” he said. “You can get killed.”
The authorities do not know exactly how many people
have been killed warbling “My Way” in karaoke bars
over the years in the Philippines, or how many fatal fights
it has fueled. But the news media have recorded at least
half a dozen victims in the past decade and includes them
in a subcategory of crime dubbed the “My Way Killings.”
The killings have produced urban legends about the song and left Filipinos groping for answers. Are the killings the natural byproduct of the country’s culture of violence, drinking and machismo? Or is there something inherently sinister in the song?
Whatever the reason, many karaoke bars have removed the song from their playbooks. And the country’s many Sinatra
lovers, like Mr. Gregorio here in this city in the
southernmost Philippines, are practicing self-censors
hip out of perceived self-preservation.
Karaoke-related killings are not limited to the
Philippines. In the past two years alone, a
Malaysian man was fatally stabbed for hogging the
microphone at a bar and a Thai man killed eight of
his neighbors in a rage after they sang John
Denver’s “Take Me Home, Country Roads.”
Karaoke-related assaults have also occurred in the
United States, including at a Seattle bar where a
woman punched a man for singing Coldplay’s “Yellow”
after criticizing his version.
…Filipinos, who pride themselves on their singing, may
have a lower tolerance for bad singers.
Indeed, most of the “My Way” killings have reportedly
occurred after the singer sang out of tune, causing other
patrons to laugh or jeer.
“The trouble with ‘My Way,’ ” said Mr. Gregorio, “is that
everyone knows it and everyone has an opinion.”
Others, noting that other equally popular tunes have not
provoked killings, point to the song itself. The lyrics, written by Paul Anka for Mr. Sinatra as an unapologetic summing up of his career, are about a tough guy who “when there was doubt,” simply “ate it up and spit it out.” Butch Albarracin, the owner of Center for Pop, a Manila-based singing school that has propelled the careers of many famous singers, was partial to what he called the “existential explanation.”
“ ‘I did it my way’ — it’s so arrogant,” Mr. Albarracin
said. “The lyrics evoke feelings of pride and
arrogance in the singer, as if you’re somebody
when you’re really nobody. It covers up your
failures. That’s why it leads to fights.”
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Spanish fan calls police over saxophone band
who were just not jazzy enough...
Festival-goer claims it was 'psychologically inadvisable' for him to
hear Larry Ochs Sax and Drumming Core perform
Giles Tremlett
guardian.co.uk, Wednesday 9 December 2009 23.40 GMT
Jazzman Larry Ochs has seen many things during 40 years
playing his saxophone around the world but, until this week, nobody
had ever called the police on him. That changed on Monday night
however, when's Spain's pistol-carrying Civil Guard police force
descended on the Sigüenza Jazz festival to investigate allegations
that Ochs's music was not, well, jazz.
Police decided to investigate after an angry jazz buff complained
that the Larry Ochs Sax and Drumming Core group was on the wrong
side of a line dividing jazz from contemporary music.
The jazz purist claimed his doctor had warned it was "psychologically
inadvisable" for him to listen to anything that could be mistaken for
mere contemporary music.
According to a report in El País newspaper yesterday, the khaki-clad
police officers listened to the saxophone-playing and drumming coming
from the festival stage before agreeing that the purist might, indeed, have
a case. His complaint against the organisers, who refused to return his
money, was duly registered and will be passed on to a judge.
"The gentleman said this was not jazz and that he wanted his money
back," said the festival director, Ricardo Checa.
"He didn't get his money. After all, he knew exactly what group he was
going to see, as their names were on the festival programme.
He added: "The question of what constitutes jazz and what does
not is obviously a subjective one, but not everything is New Orleans
funeral music."Larry Ochs plays contemporary, creative jazz. He is a f
ine musician and very well-renowned." "I thought I had seen it all,"
Ochs, who reportedly suffered a momentary identity crisis,
told El País. "I was obviously mistaken." "After this I will at least
have a story to tell my grandchildren," the California-based
saxophonist added.