Jazz on the Half Shell

"Long Island's Best Party Band"

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Just kidding, that's a great movie poster. we're not like that... here are some real items of note

 

NY Times

 

By NORIMITSU ONISHI

Published: February 6, 2010

GENERAL SANTOS, the Philippines — After a day

of barbering, Rodolfo Gregorio went to his

neighborhood karaoke bar still smelling of

talcum powder. Putting aside his glass of Red Horse

Extra Strong beer, he grasped a microphone with

a habitué’s self-assuredness and briefly stilled

the room with the Platters’ “My Prayer.”

 Next, he belted out crowd-pleasers by Tom Jones

and Engelbert Humperdinck. But Mr. Gregorio, 63,

a witness to countless fistfights and occasional

stabbings erupting from disputes over karaoke singing,

 did not dare chooseone beloved classic: Frank Sinatra’s

version of “My Way.”

“I used to like ‘My Way,’ but after all the trouble,

I stopped singing it,” he said. “You can get killed.”

The authorities do not know exactly how many people

have been killed warbling “My Way” in karaoke bars

over the years in the Philippines, or how many fatal fights

it has fueled. But the news media have recorded at least

half a dozen victims in the past decade and includes them

in a subcategory of crime dubbed the “My Way Killings.”

The killings have produced urban legends about the song and left Filipinos groping for answers. Are the killings the natural byproduct of the country’s culture of violence, drinking and machismo? Or is there something inherently sinister in the song?

Whatever the reason, many karaoke bars have removed the song from their playbooks. And the country’s many Sinatra

lovers, like Mr. Gregorio here in this city in the

southernmost Philippines, are practicing self-censors

hip out of perceived self-preservation.

Karaoke-related killings are not limited to the

Philippines. In the past two years alone, a

Malaysian man was fatally stabbed for hogging the

microphone at a bar and a Thai man killed eight of

his neighbors in a rage after they sang John

Denver’s “Take Me Home, Country Roads.”

Karaoke-related assaults have also occurred in the

United States, including at a Seattle bar where a

woman punched a man for singing Coldplay’s “Yellow

after criticizing his version.

…Filipinos, who pride themselves on their singing, may

have a lower tolerance for bad singers.

Indeed, most of the “My Way” killings have reportedly

occurred after the singer sang out of tune, causing other

patrons to laugh or jeer.

“The trouble with ‘My Way,’ ” said Mr. Gregorio, “is that

everyone knows it and everyone has an opinion.”

Others, noting that other equally popular tunes have not

provoked killings, point to the song itself. The lyrics, written by Paul Anka for Mr. Sinatra as an unapologetic summing up of his career, are about a tough guy who “when there was doubt,” simply “ate it up and spit it out.” Butch Albarracin, the owner of Center for Pop, a Manila-based singing school that has propelled the careers of many famous singers, was partial to what he called the “existential explanation.”

“ ‘I did it my way’ — it’s so arrogant,” Mr. Albarracin

said. “The lyrics evoke feelings of pride and

arrogance in the singer, as if you’re somebody

when you’re really nobody. It covers up your

failures. That’s why it leads to fights.”

 
---------------------------------------------------
 
Spanish fan calls police over saxophone band
who were just not jazzy enough...
 
Festival-goer claims it was 'psychologically inadvisable' for him to
hear Larry Ochs Sax and Drumming Core perform

Giles Tremlett
guardian.co.uk, Wednesday 9 December 2009 23.40 GMT

Jazzman Larry Ochs has seen many things during 40 years
playing his saxophone around the world but, until this week, nobody
had ever called the police on him. That changed on Monday night
however, when's Spain's pistol-carrying Civil Guard police force
descended on the Sigüenza Jazz festival to investigate allegations
that Ochs's music was not, well, jazz.
Police decided to investigate after an angry jazz buff complained
that the Larry Ochs Sax and Drumming Core group was on the wrong
side of a line dividing jazz from contemporary music.
The jazz purist claimed his doctor had warned it was "psychologically
inadvisable" for him to listen to anything that could be mistaken for
mere contemporary music.
According to a report in El País newspaper yesterday, the khaki-clad
police officers listened to the saxophone-playing and drumming coming
from the festival stage before agreeing that the purist might, indeed, have
a case.  His complaint against the organisers, who refused to return his
money, was duly registered and will be passed on to a judge.
"The gentleman said this was not jazz and that he wanted his money
back," said the festival director, Ricardo Checa.
"He didn't get his money. After all, he knew exactly what group he was
going to see, as their names were on the festival programme.
He added: "The question of what constitutes jazz and what does
not is obviously a subjective one, but not everything is New Orleans
funeral music."Larry Ochs plays contemporary, creative jazz. He is a f
ine musician and very well-renowned." "I thought I had seen it all,"
Ochs, who reportedly suffered a momentary identity crisis,
 told El País. "I was obviously mistaken." "After this I will at least
have a story to tell my grandchildren," the California-based
saxophonist added.